#i've seen some really bad outrage out there and i just don't get it

[alchemistc]

There's been something about the woobification of Buck that's been sitting on the tip of my tongue for weeks now, and I think I've finally figured it out.

This is, of course, mostly in reference to the moral outrage about a decade-ish (give or take) age gap between two adult men and the infantalization of one said grown man, so all the puritanism isn't really coming from a place of good faith anyway, but here's the thing that's been bugging me that I couldn't quite put a finger on until now.

Buck has people he goes to for certain things. He has, what are in his mind, experts in the field for most of the things he can't think through on his own, that he goes to for a sounding board.

He went to Hen to talk through the sperm donor dilemma for a few reasons that made sense to him. 1) She's a mom. She has very much had to deal with the reality of 'giving up' children she considered her own. Buck is aware that he would be giving up something that could mean something to him, and he wants to talk to someone who has some insight into that. 2) She's dealt with IVF. She knows the risks, she knows the trials and tribulations, she knows about this thing that he is thinking about agreeing to be a part of so she's going to have a fuller grasp on the enormity of everything this process entails.

And they drink about it. Hen gives him what she can and cautions him where she thinks she should and they continue to talk about it and regardless of what SHE thinks, he makes his mind up in part because he got to talk to his Expert.

Bobby is often his go to when he feels like he's losing his grip on things. He's seen Bobby staring down the bottom of the bottle. He's seen the work he's done to pull himself back into the world, and he's seen the way he fights for his family, his people. Buck leans on him in times of questioning himself because he knows Bobby has pulled himself off the ledge with bleeding hands and a bleeding heart.

He reaches out to Maddie about interpersonal shit constantly. We see it all the way back in S2 when he's starting to question what the hell he's still doing in Abby's apartment, and that never really changes. She's the one with advice for him when he's angry with his parents, upset with the firefam, worried about his friends, or just generally concerned with the way he's perceived by people or how he perceives the world. He goes to her when he's embarrassed, ashamed, because he knows she won't judge him for it. She'll call him out, for sure, but she's not going to look at him differently when she knows he's done something he considers bad behavior.

When he goes to her during the Tommy arc, he's there for one reason he'll admit, and another she has to ferret out. 1) He lied to his best friend and he doesn't know why. 2) Oh yeah he went on a date with a dude that's not strange WHY IS THAT STRANGE I'VE ALWAYS BEEN AN ALLY PLEASE DON'T PULL BACK THE CURTAIN - and Maddie is there with two things: 1) It's not weird but it IS new and something you clearly haven't worked through all the way which is why 2) you'll tell Eddie when you're ready

And Eddie is sort of his go-to to bounce ideas off of. Eddie is his Buck expert. Eddie is the guy who can sort through all the bullshit and who sees Buck for exactly who he is, every time, regardless of what Buck himself is thinking. Eddie is his best friend, and he knows the good the bad and the ugly better than anyone else. He is also, quite frankly, the one Buck seeks out to help him contextualize all of his romantic feelings for people. Eddie's the guy he talks to when he's interested in someone, when he's falling for someone, he's the guy through which Buck filters his love interests into the firefam. I do the same shit with my best friend. It's instinct to want the person you consider the expert on you to meet the person you are interested in, it's instinct to want them to like each other, to get along. Buck knows Eddie loves him (in whatever way you see that love, Buck knows Eddie loves him) and he wants this person who loves him to be at least an active listener as he talks himself through the minefield of relationships. I do also think that up until the events of season seven, Buck considers Eddie sort of an expert on that traditional love-marriage-kids-white-picket-fence relationship Buck thinks he's striving for - in a very naive way, because obviously the wasn't what Eddie and Shannon had and Buck knows that, but he's probably fed some of Eddie's rose colored reminiscences back into that notion.

When he comes out to Eddie he's got two worries. 1) I lied to you and I figured out why but I'm still a little worried you think it's weird and 2) I screwed it up with someone I really like and I don't know where to go from here.

And Eddie (Buck expert) reassures him that just because it's new and unexpected doesn't make it strange, that it doesn't change anything in their friendship. And then he gets right to the heart of it - if you like him you should reach out and tell him that. He doesn't know you like we do but if you give him the chance to, he'll love you as much as we do. If he doesn't give it the same shot you want to he's the idiot.

With all that context in mind, Buck isn't seeking out Tommy's attention because he wants an authority figure, or someone to take care of him, someone to guide him through sex or love or relationship dynamics or any of the other random shit I've seen ppl infantalizing Buck about.

What he's looking for, and what he ultimately tells Tommy he'd like to pursue, is a partnership. Someone to walk (or more likely for Buck, speedrun) through experiences together. The Athena to his Bobby, the Chim to his Maddie, the Karen to his Hen.

So every time I see someone infantalizing Buck for seeking out a relationship with an older man for X or Y reason, I'm just like - no. He has Bobby, Hen, Maddie, Eddie, Chim etc for that. He doesn't want or need Tommy for that. He is a grown ass man who has built these strong relationships with his peers and his mentors and he is so fucking aware of that because he reaches for their help any time he feels the urge for a helping hand.

So yeah, Tommy's older. Yes, Tommy has more experience with his sexuality than Buck. And that - that's really it. Buck's been in the same career for more than half a decade. He's lived on his own since he was no older than 19/20. He's had serious relationships, he has a rich and fulfilling life. There is no power imbalance in the relationship between Buck and Tommy.

And while the age gap may be a bit of a draw for Buck, it's not WHY he's attracted to Tommy. We know because he's told Maddie. He's cool. He's interesting. He's confident. He has a cleft.

Buck isn't going into this waiting for someone older and more experienced to take the fucking reins. He felt like he clicked with Tommy, like there was an immediate connection, and yes, Tommy had to kiss him about it for Buck to actually figure out what it was he was experiencing, but from that point on it was all on Buck (and the people he leans on for advice) to help him sort through.

Tommy didn't do shit other than pump the brakes and try to give Buck the space he thought he needed to decide what he was ready for. Buck (again, with the help of his experts - Maddie for the emotional piece of it, Eddie for the Buck of it all) did the work on his own. Tommy didn't swoop in and overbearingly hold his hand through a sexual awakening. He kissed him, asked him out, realized he wasn't ready, stepped back and then checked in multiple times when Buck came back at it going 120 miles an hour.

And then he did everything he could to prove to Buck he wanted the same thing - a partner, someone to talk to, and lean on, and flirt with and rely on to show up whenever they could feasibly manage it (and sometimes when it's a little unfeasible too).

The narrative even acknowledges that Buck had no reason to go to Bobby in this scenario, when he often would, and lays out exactly why.

Within the canon of this particular arc, we're meant to see this as Buck realizing he has the experience necessary to think these things through on his own. This is Buck finally taking control of something that's always felt like it fell into his lap a bit. This is Buck doing more than treading water until his legs give out.

And minimizing that growth bc you personally don't like the LI he's pursuing is gross at best. At worst it's something much more insidious.

[calware]

thoughts incoming. something i think a lot of people online don't realize (and something i wish i could've told myself when i was younger) is that trying to enact punishment on someone you dislike who did or said something wrong for the sake of punishment rarely has a positive effect. especially when it involves attempting to publicly shame/humiliate them, such as writing a callout post with the attempt to get everyone "on your side" and to dislike that person as well. this is because, in many cases, these pursuits result in just making the target angry or upset, which at best just makes them upset and at worse reinforces their ideas. if there's someone online you disagree with and you want to try making a real change, you have to ask yourself if what you're doing is actually going to realistically lead to that outcome or if you're just lashing out in anger

i'm not perfect at this either, in fact i've been on both sides in this situation. i know how it feels to be hurt by someone when you didn't deserve it, so you want that person to hurt too, you want other people to dislike them as much as you do. i really, really get it. i also know what it's like to be cyberbullied online, back when i was a very vocal hater who had a lot of annoyingly bad takes about homestuck and said a lot of things that were at best stupid and at worse parasocial. this, understandably, annoyed a bunch of people, but then some of them decided i should get sent anon hate about it daily. all this did was a) make me feel bad and b) reinforced the idea that i wasn't doing anything wrong, because the people who disagreed with me were also sending me anon hate, so clearly they were in the wrong

i think there are moments where "calling someone out" is helpful, like if someone is running a scam, or if someone is using their platform to groom minors. this is because calling that person out actually helps to prevent them from hurting more people. however, most of the callout posts i've seen on here don't result in any positive effect and usually boil down to "PSA I NEED EVERYONE TO KNOW TUMBLRGUY634 WAS MEAN TO ME!!!!! SPREAD THE WORD!!!!!!", causing a bunch of outrage within that person's circle before fizzling out a while later with no real impact

[blitzwhore]

I just saw Blitzø get called Stolas stockholm victim I can't with this fandom anymore😭

😂 As outrageously incorrect and stupid as that take is, I'm going to go on a tangent here. I hope you don't mind.

I think every fandom has annoying people with awfully terrible takes in it. People with zero media literacy. People who hatewatch. People who think they're entitled to the exact show they would've wanted, which has nothing to do with the actual, existing show.

This is especially true for queer media, and especially true for queer cartoons. (Hi, yes. I was active in the Adventure Time, Steven Universe, Voltron, and She-Ra fandoms when those shows were airing, respectively. I've seen some stuff). Some people just can't handle queer cartoons, period. If the queer characters/ships are soft and wholesome, they're infantilising and boring, and if they're complex and nuanced and actually have conflict, they're abusive and problematic. You'll hear the same recycled arguments over and over again. Like, the shit some people are saying about Blitz and Stolas after The Full Moon? Is literally almost word-for-word what they said about Catra and Adora post-season 3 of She-Ra (and even at the end of the show).

Here's the thing, though! Those people and their bad takes are not what I want to think about what I think about a fandom. Those aren't the people I want to call the fans. They don't deserve that title. Not when so many other people are out there dedicating their time to making gifs and art and meta posts, and writing fic, and commenting/reblogging to show support, and sliding into people's DMs to scream and squee together about a thing they love.

At the end of the day, "fandom" is just a lot of people each doing their own thing. Which people you engage with and allow to stay within your line of sight will determine your fandom experience. Fandom can be a huge, convoluted, online space full of people who are constantly arguing with one another and whose takes make you unfathomably angry... Or it can be you and your 5 friends and mutuals who scream gleefully at one another in 2-note posts. You can't control what others post online, but you can control your engagement with it.

How? Well, here's what I personally do to avoid getting upset by people's stupid opinions online:

Filter 'critical' and 'anti' tags (eg. #anti stolitz #anti vivziepop #Helluva Boss critical #HB critical #vivziepop critical). Many people actually do tag their critical posts because they know it's the respectful thing to do!

If I come across a post that has one or more of those tags, obviously, I don't click through to see it under any circumstances.

If I stumble across a stranger's untagged post with hate/criticism that upsets me: I stop reading and BLOCK. Immediately. I don't look back. I don't finish reading. I don't engage. I just block block block. I <3 the block button, seriously.

If I feel my mind reeling from a bad take I just came across: I take a step back, close my phone, breathe, remember life is beautiful sometimes. Go back and watch an episode I really like. Clean my living space a little. Vent about it to a friend (but only if I really need to, because if not, I'd rather not dwell on it).

If I'm starting to feel the need to reply to someone's bad take (directly or via my own post), I instead make the decision to channel that energy into making fandom posts out of love. (I don't do this just with fandom. If I see something transphobic online, I usually react by reblogging a bunch of trans art or trans positivity posts on my main, for example). I like to think of it as putting some positivity out into the world to compensate for the negativity I just saw. So, for example, if I see someone shitting on my blorbo, I may make a silly post just saying how much I love blorbo. Or I'll make (or draft) a post about how interesting I find some of blorbo's actions. Or reblog another person's positive/interesting post about blorbo.

And finally, I stay the hell away from Twitter. Or at least, if I go on Twitter, I try my best to avoid any tweet that has text in it instead of just art. Even the people who have good opinions spend too much time arguing with the people who have bad opinions on there. I don't want to see people's bad takes! No, not even while reading founded and perfectly articulated criticism of those bad takes! So I just limit my time on Twitter. And again, if someone is putting bad takes on my TL (even if it is to counter them), I unfollow and block as needed.

All this to say, yes, it really fucking sucks to read the opinions of people who don't understand and who hate the characters and ships and worlds you love. Gosh it's the worst. But you can curate your fandom experience. You can focus on the things you can control. You have the power to decide if your fandom experience is draining or fun!

And because I don't know how to finish this, here, have a Stolitz kiss to heal you:

We will keep winning and there's nothing the haters can do about it. 😌

[merinathropp]

okay here's my massive and hugely late Wicked movie review in case anyone is still interested alksdjalskdjaldk bless you all for your patience

Glinda - 11/10 no notes I am besotted. I was so wrong about Ariana Grande, she was pitch perfect and melted into the character. She played Glinda with all the nuance she desperately deserves, she was SO MUCH MORE than just a mean blonde girl, she had a sort of 'spoiled rich girl innocence' and genuine sweetness in everything she did. And the RANGE!!!! Her expressions during No One Mourns get the award for First Thing To Make Me Weep, there was SUCH pain and bitter resolve underneath her composure. Ariana the woman that you are.

Fiyero - I feel like Fiyero is a character who only works if you make him a bit camp and silly and absolutely commit to The Flynn Rider-ness of it all, and Jonathan ABSOLUTELY DID. He was outrageously charming. Love that he flirted with girls and boys and even members of staff, really drove home the whole 'scandalous reputation' thing. Equal opportunity Fiyero Flirting. What a time to be alive.

Elphaba - Okay this is where things get complicated. I really struggled with Cynthia's Elphaba. I totally respect that she wanted to take the character in a different direction, making her more vulnerable and soft-spoken and sad.

It just didn't work for me, because it stripped Elphaba of all the things I love about her in the show: her fierceness, her rage, her explosive nature, her terrible temper. I just adore how messy she is. And I missed that in the movie.

I've seen people talk a lot about how Cynthia's Elphaba is 'internal' - she doesn't let her emotions show, she keeps it all on the inside. Again, this was a choice that really bugged me. So many classic Elphaba Reaction Moments were reduced to Cynthia just...looking?? It drove me mad.

Her vocals were out of this world. She looked absolutely stunning. But I just can't connect with this new version of Elphaba as much as her stage counterpart.

Sets, Props & Costumes - GORGEOUS. A literal feast for the eyes, this is a sumptuous movie and I kept wanting to pause the frame just to take in all the little details. Everything felt so distinctly Ozian, all the bizarre textures and fabric choices and steampunk Victorian vibe...ughhhh obsessed.

Screenplay - I think my overall take for this section is: The additions they made were fun, but if I'd been in charge, I would have prioritised completely different things lol.

With the 3 hour runtime, I guess I just assumed they would put all that glorious extra time towards Gelphie and Fiyeraba? Especially because there are SO many juicy cut scenes from older versions of Wicked (e.g. workshops, San Francisco tryouts), and this was an amazing opportunity to bring some of that stuff back.

But instead, we got like...A Sentimental Man dance break, more dialogue with the Wizard, a big action sequence with Elphaba and Glinda escaping the guards, a new song about the ancient sorcerers of Oz, loads of Pfannee and Shenshen dialogue etc.

Again, I don't think any of this stuff was bad! But I wish the extra time had gone towards expanding the character relationships rather than like...The Wizard Will Dance For You Now lol.

(Not to mention they cut some of Fiyeraba's dialogue - a BIZARRE choice, I scream into the void etc, these two have such limited time together already, Why Would You Cut More Of It)

Misc Things I Loved - Galinda and Elphaba's new little 'signature wave' for each other, based on their Ozdust dance. Destroyed me emotionally every time they used it.

- Popular was a MASTERCLASS in adapting a musical theatre number to screen, I was so worried it would be Too Much but they pitched it just right. It was hysterically funny but still sincere, Galinda was very much 'kid who's had too much sugar at 3am' and she was so DRAMATIC and silly and sweet, I'm besotted fjhakjsdhaksjda.

- ALL THE CHOREOGRAPHY. Bursting with energy, highly musical. I found myself wishing the camera would slow down / zoom out a bit, so we could enjoy it more fully.

- Doctor Dillamond actually saying to Elphaba that she has a friend in him, and gently offering her one of his hooves to so they could 'shake hands'. My friend and I were both like 'we did not expect to get emotional about the goat professor, yet here we are'.

- Fiyero 'yeah I ate grass as a child' Tigelaar. he absolutely did. not a single doubt in my mind.

- The Wizard, trying to convince Elphaba to join him: uhhhh you can even bring your...friend...with you! (I was literally like HAHAHA HE GETS IT oh no. he gets it. oh no. I just loved that he seizes immediately on the one thing that might sweeten the deal for Elphaba, which is having Glinda with her.)

[gemsofgreece]

speaking of greek films, do you have any recommendations? maybe even of the romcom variety? i've only seen zorba

And here's me whose ass still hasn't watched Zorba and even more embarrassingly I kinda thought it was a fully American movie adapting the Greek novel with some Greeks contributing, like actress Irene Papas and the music score by Mikis Theodorakis. It turns out you're right though, the film was directed, written and produced by the Greek filmmaker Michael Cacoyannis but then it was distributed by 20th Century Fox so it was a Greece - USA production.

I don't know if you can speak or are learning Greek though because Zorba was a co-production and it was mostly in English but a fully Greek production is in Greek and most don't get subtitled for international audiences. I will give you some personal recs but I can't guarantee you will find subtitles easily or you will have to do some severe digging. I have made the recs in an older answer so I am linking that post:

I will give a more updated rec list too:

Faves of mine:

From the link above the ones I would advice one to not miss are:

Η Κάλπικη Λίρα (The Counterfeit Coin, 1955). It's not only my favourite Greek movie but it's also in the All Time Top 100 Best Movies of International Cinema list of some very legit major institution that I am forgetting now XD It's a social dramedy with top tier comedians and drama actors co-starring and it's basically four different life stories connected through the same counterfeit coin.

Αχ, αυτή η γυναίκα μου! (Oh, that wife of mine!, 1967) It's a situational comedy. It's hilarious but if you don't know Greek, I don't know how well it translates to a different language. Man desperately wanting a promotion gets in a chaotic situation when his playboy boss first gets outraged and then obsessed with his wife, without knowing her true identity.

 5 λεπτά ακόμα (5 minutes more, 2006) I still think this movie is very underrated. It's a metaphysical philosophical dark dramedy with a great understated score. You can find it on youtube, obviously without English subtitles and with bad quality but hey at least it's on youtube! A morally neutral man with jealousy issues dies and is given five more minutes in the mortal world, which will determine his afterlife.

Το Τανγκό των Χριστουγέ��νων (Christmas Tango, 2011). Romantic drama. A soldier gets unintentionally entagled in the unrequited / forbidden romance of his mysterious aloof commander. Now this movie has a queer element. It does not have a queer happy end but it has both straight and queer themes and honestly it's a beautiful movie. You can find it on youtube.

Ρεμπέτικο (Rembetiko, 1983). Drama. The tragic life of a female singer of the then underground Rembetiko music scene, the music genre the Greeks of Asia Minor brought along after the Asia Minor Catastrophe and the population exchange between Turkey and Greece in the first half of the 20th century. Personally, I am not crazy about this movie but this doesn't mean necessarily anything because it gets good reviews in imdb even outside Greece. But I personally recommend it for its INSANE score and songs. These songs have become emblematic in the Greek music scene. The composer, Stavros Xarhakos, makes a cameo in the movie.

I still recommend the other recs in the old list too, especially the comedies. Also, like I have said, you can't go too wrong with Greek comedies of the 50s-60s in general. Since I said that, here's a list of faves and critics' choices of Greek movies from the 50s-70s.

Some other faves not in the old lists:

Το χώμα βάφτηκε κόκκινο (Blood on the Land, 1966). A Greek Western! Who would have thought but it is good! When I say western, I don't mean Cowboys vs Natives of course, but I mean land property disputes, rural, animosity gets out of hand, social class inequality etc etc and it is actually linked to Greek social history of the 20th century. And finally a Greek movie that takes good advantage of the Meteora. The movie was a nominee for best foreign film in the Oscars .

Strella, 2009. This is a strictly 18+ movie. It is a queer movie BUT it is also a very edgy movie, like, it can be perceived as extremely edgy no matter if you are a member of the LGBTQIA+ community or not. It's not the imagery that makes it edgy but the plot at some point takes a serious left turn. So, only watch if you're into weird cinema territory. I have warned you. Personally I am not into weird cinema but I liked this one. Man gets out of prison after years of incarceration for committing a murder. He befriends and soon gets into a relationship with a trans female sex worker. The protagonist, Mina Orfanou, is actually a trans woman and she was really praised for her performance in this.

Ιφιγένεια (Iphigenia, 1977). Directed by Michael Cacoyannis like Zorbas, this is a movie about the myth of the sacrifice of Iphigenia, Agamemnon's daugher, with an all-Greek cast. It is kind of those theater-to-movie films so don't expect Troy level of production. It has very minimal sets. Also, it's the 70s, the bible and sandal era, so the costumes are really anachronistic and inaccurate but other than that it is a good movie. It was nominated for the Oscar for foreign language film. And it's on youtube with English subtitles.

A few other recs:

Antigone (1961). Even more than Iphigenia, this is almost pure theatre filmed. The acting is theatrical, the staging is theatrical, it's all just theatre really. This is a very loyal adaptation of Euripides' Antigone. The acting is very good.

America America (1963). A movie by Greek American filmmaker Elia Kazan that I haven't watched yet but it is very famous. Biographical historical drama, inspired by Kazan's uncle. The struggles and feats of a Greek of Anatolia, Ottoman Empire (modern day Turkey) trying to secure a passage to America in the late 19th - early 20th century. It is an Academy Awards winner.

Πολίτικη Κουζίνα (A Touch of Spice, 2003). The life of a boy and his relationship to his beloved grandfather, who instilled in him the love for cooking and astronomy, as they part ways when the boy and his parents are deported from Turkey after the ongoing tensions started from the incidents of the Istanbul pogrom in 1955, while the grandfather is able to legally stay behind. I wouldn't put this movie in my faves but it is very aesthetically pleasing and has a wonderful score. It is also an introduction to the special historical bond Greeks have with Constantinople / Istanbul and the tragic story of it all.

Έτερος Εγώ (Heteros Ego / The Other Me, 2016). Crime Mystery. This movie is very popular. I think it's overrated but you can judge for yourself. It is on youtube. I personally liked more the TV series that was its continuation (the first two seasons only, because the third was horrible). It is suitable for 17+ audiences. An eccentric criminology professor is summoned to investigate murder cases where the murderer cites quotes by Pythagoras.

Man of God, 2021. If you are a Christian / religious, watch it. I would like this movie more if the director had not forced all the cast to perform in English in order to make an international screening. It takes away from their performance because it is so unnatural and illogical. But otherwise it is an interesting topic and the actors try their best despite that massive handicap. This is the true story of Saint Nektarios of Aegina island and his unfair defamation by the rest of the clergy.

Η Φόνισσα (The Murderess, 2023). Unfortunately this movie does not hold a candle to the original novel of Alexandros Papadiamantis written in 1903 - quite possibly the first feminist literary work written by a man - but it is your next best alternative unless you can read the book or a translation of it. In this case, totally skip the movie and read the book, which is excellent and my favourite Greek novel. But if you watch the movie, just know it took many liberties for the worse. It has good acting and cinematography though. The story explores the life and mind of Frankoyannou, a hardened peasant woman, as more and more female infants and young girls are found murdered in her village, including her own grand-daughter.

Miss Violence, 2013. This movie is incredibly disturbing and I wish I could forget what I saw. If you like disturbing cinema, obviously 18+, watch it. It sickens you to the core though. An ordinary 11 year old girl commits suicide the day her ordinary family celebrates her birthday. Minute by minute we learn more about the family though and minute by minute we realise this is not a regular family AT ALL.

More weirdness. If you actually do like weird cinema, then you can also explore Yorgos Lanthimos' old Greek movies. These are easier to find since Lanthimos is globally famous now. Dogtooth was his Greek movie that was a nominee in the Oscars. But he has a couple more. (By the way, Miss Violence makes Dogtooth seem like a My Little Pony episode.)

More length. Theo Angelopoulos was an acclaimed Greek director, famous for his slow lengthy movies that explore philosophical and other themes. Several movies of his are acclaimed internationally. His most awarded ones are Ο Θίασος (The Travelling Players, 1975), Ταξίδι στα Κύθηρα (Voyage to Cythera, 1984), Το βλέμμα του Οδυσσέα (Ulysses' Gaze, 1995), Μια Αιωνιότητα και μια Μέρα (Eternity and a Day, 1998), Τοπίο στην Ομίχλη (Landscape in the Mist, 1988).

More Kazantzakis. Since you have watched Zorba the Greek, a film based on the novel Life and Times of Alexis Zorbas by Nikos Kazantzakis, perhaps you will be interested in two more movies based on other novels of his, even if they are not purely Greek or Greek productions. The first one is the very famous The Last Temptation of Christ (1988) starring Willem Dafoe, directed by Martin Scorsese. The problem is that this movie is often very misunderstood as edgy / anti-Christian / atheist whereas Kazantzakis' intent with his book was kinda the exact opposite so he probably rolls nonstop in his grave with some readings I have seen being made of the movie, even here on tumblr. Scorcese obviously focused more on the edgy factor than Kazantzakis did, further encouraging such misinterpretations but you could still be able to understand the meaning of Kazantzakis' book through the movie, now that I told you that Kazantzakis was essentially a secular theological / Christian philosopher. The other one is Ο Χριστός Ξανασταυρώνεται (Christ Recrucified / He Who Must Die, 1957). A French / Italian production, also featuring the Greek actress Melina Mercuri. A Greek village in Anatolia in 1920 (Modern day Turkey) stages a Passion Play for Easter. Staging the play leads to them rebelling against their Turkish rulers in a way that mirrors Jesus's story. There is also a Greek TV series adapting the novel in 1975 - 1976, which is closer to the book and gets better reviews and you can watch it in the streaming platform I recommend below.

ERTFLIX. Ertflix is the state TV's OTT platform and it is entirely for free, while also available internationally. It has both desktop and app formats and you can also add it to several TV boxes, Chromecast, Roku etc For the free service that it is, it has an abundance of series, movies and documentaries so I can never stop praising it...! There you can find numerous Greek movies / series / documentaries to watch, plus even more foreign stuff with Greek subtitles if you're learning Greek and need to practice. Plus it has interviews, the invaulable archives of the state TV and so much more. In Greece it is not necessary but for using the platform abroad you will have to register as a user but it is entirely for free. Ertflix I love you. Below is a screenshot with some Greek movies available now:

Scroll to the Greek cinema option (or to the Greek series). The site is built in both Greek and English.

Where you can find ERTFLIX:

The aforementioned TV series based on Kazantzakis' novel.

Upcoming movies of Greek interest:

Maria. The biopic of Maria Callas, rather her last years, starring Angelina Jolie. Is Jolie a good casting choice for Callas? Well, no. People say she does a good job in it however. I don't know about that and I am going to be sceptical because I love Maria Callas and I don't think she can be easily (at all) imitated. I 'll watch it though. From the trailer I see Jolie did a very legit job with Callas' speaking manner and accent, this is hopeful. Part of the movie was filmed in Greece too.

The Return. Starring Ralph Fiennes and Juliette Binoche, this is a retelling of the last part of the Odyssey, once Odysseus has returned to Ithaca and has to reclaim his rule and home from Penelope's suitors. It is a realistic retelling, not featuring the gods, based on the trailer I saw. I had my reservations for this casting but Fiennes looks good as old Odysseus IMO and Binoche is a brunette French, of course she can pass easily as a Greek. They are also both good and serious actors and I am sure they give their best in the movie. The drawback is that it's like we return to the 70s with these poor and anachronistic costumes and sets. And also aside from the protagonists, who would have thought there was so much diversity in Ithaca / s, a REAL, TINY and REMOTE Greek island. Telemachus looks like the blondest of Swedes and then the Ithacians have apparently descent from Scandinavia to Southeast Asia to central Africa. Amazing. Ithaca, the New York of Bronze Age. At least Fiennes (in this) and Binoche do pass as Greeks... What makes the movie a little promising for me is the amazing physique Fiennes achieved for it: the parts half dead old beggar and parts godly warrior king. He nailed it. The scene with the bow, I know already I will get the chills.

From this alone I know Fiennes is doing a terrific job in this. He is always invested very seriously in his movies.

Anyway, one third of the movie is shot in Greece and ERT (the Greek State TV) is actually a co-producer (a rarity with international movies of Greek mythological interest nowadays), so once it's done from movie theaters, it is going to be available for free on ERTFLIX... apparently globally. I so hope this movie does not disappoint me.

A lot of these can be found in links in greek-movies.com but you didn't hear it from me.

[fatum679]

I don't know if you've seen the episode finale so I won't get into specifics, but let me just say it literally made me sick. Seriously, even in the worst case scenario I couldn't have imagined something this atrocious. I'm done with this disgusting show.

Oh, and for those people who were screeching for two years that Aemond has been being whitewashed and that he is in fact Clowndal' s favourite character... Well 🤡🤡🤡.

Hello! Thanks for waiting. I really wanted to watch the whole episode.

I can only say one thing, that season 2 of hotd is much worse than season 8 of got. And it became clear to me that season 1 is not so bad, because Miguel Sapochnik was there.

I will not say that I will stop watching this show, because I want to know how this circus will end. But I will not wait for season 3 as much as I waited for the second. Also, I no longer have the desire to root for TG, from now on I am only pro Aemond & pro Daeron team.

I still like Helaena and i am pro Helaena, but after the scene where she talks to Daemon, I'm incredibly disappointed. Who thought of this shitty scene? Helaena actually wants the man who killed her son to team up with Rhaenyra and kill her family, her little brothers and in the end, Jaehaera to be pushed out the window. It's such a cringe because it doesn't fit with Helaena's character for her to help Daemon.

Now I ask questions: "What kind of mother and sister is she after this?" I also got the impression that Aemond is really the ONLY one who wants to TAKE REVENGE ON DAEMON FOR THE DEATH OF JAHAERYS "We will lay waste to Daemon and his army. Let our enemy see that we will answer outage with outrage". I understand that Helaena does not want to go to war, but after the scene with Daemon, it looks like she does not want to help Aemon kill Daemon specifically and help in the war against TB, not because she does not support violence at all. I'm so confused. Many people think that Helaena was controlled by Bran or Brynden… But the scene itself looks like she knew what was happening. I hope it was just a trance and she wasn't in control, but I'm not 100% sure.

I've already analyzed the Aemond and Helaena scenes and I don't want to repeat myself. I don't support how Aemond hurt Helaena by grabbing her hand. But I still continue to support Aemond because he is the only one who fights for his family (not for Aegon) until his death. There is a war going on now and either they win or they all die, even Jaehaera. So all of Aemond's reactions are connected to the fear that his family will die. In another scene, Aemond regrets and cries, he doesn't want Helaena to be captured, he asks her for help, he thought that Helaena would want to take revenge on Daemon for Jaehaerys' death.

Aemond hasn't left for Harrenhal yet, he's leaving in 3 days, and I hope we get some scenes of Aemond & Daeron & Helaena in Season 3. And I'd like Helaena to leave for Harrenhal too.

After episode 8 I hate Alicent completely and irrevocably. I don't even hate TB as much as I do her.

Alicent raised all her children to follow the path of DUTY AND SACRIFICE. Most of all, this idea was instilled in Aemond and I'm sure Daeron. Aemond made his sacrifice - losing an eye and his duty - protecting his family with his life. Now Aemond demands this from everyone else because HE WAS RAISED THIS WAY BY HIS MOTHER and his brain was PROGRAMMED THIS WAY. This is all Alicent's propaganda. His words are literally Alicent's words! And now she hates him. You damn b*tch, you made him like this.

«The crown has need of your service». «Our wishes must take second place now to what is necessary to preserve the throne».

«What have I done but what was expected of me! Forever upholding the kingdom, the family, the law…Where is duty? Where is sacrifice?»

«They have defiled our birthright, made commoners into dragonlords! It is a sin and must be punished!»

«To have three is an insult, to the throne, to you, to House Velaryon and the match you battled so hard to make for her. No to mention decency itself»

«As you were once! And you see now what the consequence of your weakness!»

«I have to believe, that in the end, honor and decency will prevail»

«We are in peril today more than yesterday!»

«If Rhaenyra comes into power your very life could be forfeit. Aemond’s as well»

«’Tis no longer our rule that is threatened, our very lives»

«And now you take my sons' eye, and even that you feel entitled?»

Alicent is a traitor, she ruined her children's lives! She sold Aemond and Daeron and even her beloved child Aegon, he continued to do terrible things and she is always forgave him. Note that once Aemond fired Alicent for her incompetence, she began to pay attention to Helaena. We remember that Helaena previously shunned Alicent's touch. I'm glad Daeron stopped writing letters to Alicent.

As for the other characters and scenes.

I don't feel sorry for Aegon at all, the man did terrible things in his life, his actions led him to what happened to him. He bullied his brother all his life and was not going to stop, did not respect him and treated him as his own weapon, not as a younger brother.

"He's a twat." "My brother, at least, knows his plase. He's as loyal as a hound. I can set him ans his dragon on my foes at will" "What a fine, sweet thing, did you fuck her like a hound?"

Aegon took the 13-year-old child to a brothel, where Aemond was r***d by a woman 30 years his senior. Aegon was having fun watching kids kill each other in the fighting pit, he didn't care that his son was there. Aegon r***d Dyana and others. So I don't care about him and his suffering.

Sunfyre is useless against adult dragons, and Aegon is an idiot and attacked Meleys, which resulted in Sunfyre's wing bones being crushed and his belly being ripped open. The show says he died, but I don't believe it.

Almost all Targaryens are criminals, like Aegon the Conqueror and his sisters, but most Targaryens did bad things during the war. Aemond and Daeron did not commit crimes before the war, but Aegon and Daemon committed crimes during peacetime. It's not a big difference, but still. Rhaenyra committed crimes in peacetime, but in the series all her actions were cut out and it is terrible propaganda.

Larys continues to manipulate Aegon as if we don't know he's going to poison him and as if we don't know what Larys is asking for in exchange for his information (...foots...)

I don't understand why helaegon are happy that Aemond grabbed Helaena's arm roughly. They also wanted Aemond to push her off the balcony. They are clearly mentally ill and they clearly hate Helaegon. Either way, helaegon stans will have to cry. Helaegon didn't even warn Aegony and let him be burned, she didn't even come to him.

I don't understand why helaegon stans are happy that Aemond grabbed Helaena's arm roughly. They also wanted Aemond to push her off the balcony. They are clearly mentally ill and they clearly hate Helaena. Either way, helaegon stans will have to cry. Helaena didn't even warn Aegon and let him be burned. she didn't even come to him.

Aegon can no longer have children. Helaena is not pregnant, a lot of time has passed since episode 1-8, Aegon's burns have healed and his bones have fused, but Helaena still has no belly. Helaena is not pregnant, if Maelor is born, then his father will not be Aegon. Or Maelor will not be at all, although we were previously confirmed that he will be born.

Rhaenyra's plot is boring as always, I'm waiting for her to start being betrayed by bastards.

Aemond's toast to bastards > Rhaenyra's toast to bastards.

Rhaenyra still wants a son for a son after Jaehaerys' death. She is Maegor. Rhaenyra, what about an eye for an eye? Maybe you should have given Aemond an eye 6 years ago. Why are you demanding a son for a son now? Then let's a grandson for a grandson. What about Laenor?

Daemon's visions are such cringe. Are we watching a Mary Sue story about Rhaenyr's chosen one? This is so boring. Damn it, this isn't Harry Potter, it's Fire and Blood. We know that Arya killed the Night King, and because of Jon Snow and Daenerys, the Night King got a dragon, if he hadn't gotten a dragon, he wouldn't have been able to get through the wall.

The constant humiliation of Alicent's children because they have Hightower blood is so funny because Rhaenyrs has Arryn blood. They are still the LEGITIMATE CHILDREN OF VISERYS.

Brynden Riverst, I love you, but why do you have two eyes? What the hell?

Alys Rivers supports Rhaenyra and Daemon, she supports TB. Alys will not support Aemond, who will kill all the Strongs. alysmond - will not happen, because it is complete shit. Also, the writers will not degrade a female character so much that she loves and has a child in such a relationship. Aemond despises Strongs and batards and I doubt he will love her. But Aemond haters can shut up, because Aemond will not make her his war trophy, he is not Aegon and has not r***d anyone. Alys will most likely run to Daemon.

The bottom line for the entire 2nd season is that it is a complete disappointment, I do not advise anyone to waste their time and wait for season 3, look for leaks. You can watch season 3 when it comes out, but do not waste your life and do not put high hopes on season 3. I will also try to follow this advice.

[fushiglow]

Who the hell is Gojō Satoru?

Some thoughts on his character in 236

Seeing everyone arguing about Gojō’s characterisation in 236 over the last week makes me realise just how good the chapter is, no matter how dissatisfied I am with Gojō's death.

When you're upset about something, it's hard to judge accurately whether something is 'bad' or whether you simply don't like it — and they are different things. Interestingly, 236 presented me with a conflict I've never experienced when following a story before. I'm really disappointed with the way Gege Akutami chose to end Gojō's story, but I think 236 will go down as one of the most beautiful chapters of Jujutsu Kaisen. In that sense, my feelings about the chapter after a week of sitting with it aren't too unrecognisable from my initial feelings — just with all of the big emotions that were colouring my judgment stripped away.

I think there *is* value in immediate reactions, and I think much of the initial outrage about the chapter was simply people grieving what was an intentionally shocking end to a beloved character. I hate that people tried to police social media reactions to the chapter, because I think everyone should be allowed to process their feelings in their own online space (as long as they don't bring harm to others, of course).

Aside from the outpouring of emotion, there have been countless arguments about 'who' Gojō was as a person in the end, and that doesn't sit right with me either. I think many artists would be disappointed to hear fans of their work insist that there is one 'proper' interpretation — because the value of sharing your art with the world is in how different people receive it based on their own experiences.

To me, that's Gojō Satoru as a character.

I know lots of people have already shared some variation of the post below (and everyone has moved on to 237 now anyway) but this was sitting in my drafts so I thought I may as well hit post before 237 is officially released!

Gege Akutami keeps Gojō at a distance from both the readers and the characters around him, making it deliberately difficult to know who he is as a person. Despite that, everyone in-universe and out has something to say about Gojō's character, but we've never really known how Gojō views himself until this chapter.

For maybe the first time in Jujutsu Kaisen, we get to deep dive into Gojō's interior world and hear his innermost thoughts when he's at his lowest and most vulnerable. As a result, something fascinating happened across the fandom.

Even when Gojō literally tells Getō that the 'wretchedness of isolation' is something he shares with Sukuna, that he gave everything he had so that Sukuna might understand him and be understood in turn, and that he knows not everyone will get it, some people called Gojō 'out of character' in 236.

And isn't that just so damn meta?!

Akutami loves challenging readers' assumptions through his characters, so while the chapter is shocking, it isn't really surprising. I'd even go as far as suggesting that the journey of emotions the reader experiences while reading 236 is the exact same journey Gojō is going on in-story.

The thing is, I've seen tons of people arguing about whether Gojō was selfless or selfish, whether he fought for the love of his students or for the love of the fight, whether he took strong young sorcerers under his wing from a place of care or simply as a means to an ends — but I think the point is that it's always been all of those things at once.

Because he's human, and humans contain multitudes.

I think we were meant to have our view of Gojō shaken by 236 — the same way Gojō's view of himself is challenged in this chapter. However, just because we can find some truth in Nanami's criticism of Gojō, doesn't mean that his interpretation of Gojō's character is the correct one — especially when it's entirely possible that what happens in the airport isn't even real.

Getō listens with empathy as Gojō confesses his self-doubt and regrets, the solitude of his strength, and the dehumanisation he experienced as the 'Strongest'. He even expresses jealousy when Gojō admits he had fun fighting someone strong enough to understand him. Then, only two pages after Gojō says, 'You can cherish a flower and help it bloom, but you don't ask it to understand you', Nanami appears and calls him a pervert for his approach to sorcery.

It's actually really funny.

Importantly, Nanami isn't exactly wrong for saying the enjoyment Gojō gets from fighting is a little disturbing (and, to be clear, I *adore* this about him) — it's just not the whole picture of Gojō Satoru.

Akutami actually gives us some lovely imagery to visually represent the gulf between those who understand the solitude of strength and those who don't — Gojō and Getō sit on one side of the bench while Nanami and Haibara sit on the other, with each duo facing in opposite directions.

I don't think Akutami is implying that either side is wrong or right — it's just two different perspectives. Nevertheless, Gojō is pictured side by side with someone who understands him, and back to back with someone who doesn't understand him but who cares for him all the same.

Recognising this, he pivots to asking Nanami about something they can both relate to and receives an important lesson in return. What Nanami means and what Gojō takes from it is deliberately ambiguous, like everything that's discussed inside the airport:

Could Sukuna have won without the Ten Shadows?

Who does the 'flower' represent: Gojō, the people around him, or both?

Did Gojō reach Sukuna like he hoped?

Why exactly is Getō jealous?

Does Gojō feel satisfied?

Is Nanami's assessment of Gojō's character correct?

What is the relevance of north and south?

Which direction did Gojō choose?

Is it all in Gojō's imagination or is it real?

Whether we'll receive answers to those questions remains to be seen, but I highly suspect that most of them don't even have a definitive answer.

Once again, it's just a matter of perspective, and I think that's Gojō's character in a nutshell. Whichever side of the bench you're sitting on, whatever you see in Gojō says more about you than it does about him — and that's exactly why it's so fascinating to see the fandom erupt into arguments about who's interpreting the character correctly.

I can honestly say I think the chapter is really beautiful even though I hate what happened to Gojō, and that's an entirely new experience for me. For that alone, Akutami has my praise. Whatever happens in the rest of the story will determine whether 236 becomes my favourite chapter in the whole of Jujutsu Kaisen — isn't that bizarre?

By the way, I found a really thoughtful post about some of the word choices in 236. The poster shared some really interesting insights across a series of posts and they convey the tone of the chapter really well. Well worth checking out!

[thefangirlfever]

I needed to make a post about this because...well, the title says everything.

First of all I would like to say that I'm feeling a bit anxious sharing my thoughts about this. I don't know if I'm the most qualified to talk about this but it has been bugging me.

I know a lot of people have already discussed the way Miguel, a POC and a latino man out of all people, has been oversexualized to a point that it feels fetishy and a bit concerning sometimes. I think we can all acknowledge this and that already gives us a lot to think about.

But what I think is really interesting is that not only is Miguel an intentional thirst-trap, he is a thirst-trap created mainly by a team of male producers/ writers. From what I read, the people in charge of his character design were men (I want to say that I am by no mean attacking anyone who worked on this movie. They did an amazing job and I am just sharing my thoughts, not saying they are bad people for this choise or anything. Thank you).

And I find this very telling. Because when I first saw this headline, I thought "Oh finally, women have been given the chance to freely thirst over a male character the same way men do." And I think it was a big mistake from me to think this way. (First of all, there are also men and non-binary simping over him). Because, let's be real for one second there, do we really want to thirst over characters the way men do? I have been an anime fan for years and let me tell you, the way a lot of men/ fanboys view female characters is simply gross (I know, I know, not all men). It's also something I noticed in comics and video games. Like, have you seen the outrage when a video game studio wants to propose female characters who do not look like what some p*rn addicts imagines women are?

My point is that Miguel has been created not with the female gaze in mind, but with the male gaze (and it hurts to say this). That's what I got from reading the part of the interview. The emphasis on his butt, the overly masculine, muscular body... Miguel was created not by following what women like in men but by what men imagine that women like in men.

This is also something we can see a lot in various medias over the last years, especially in the romance genre. The way some "desirable" men are depicted do not fit what women seek in a partner but what men imagine women want (ofc every woman has different criteria when it comes to this). I think it's very blatant when you compare medias written by and for women like Shonda Rhimes's shows, Bridgerton, Outlander... and medias written by men. So, in the end, I think that Miguel has been created with that in mind "Let's make a big, tall, dark and broody, muscular matcho man. That's what the female public wants." (ofc it's never as simple as that but you get the idea).

So... does this mean that it's bad to simp/ thirst over this character? Surprisingly I'm going to say no and I even think that it's important that the women in this fandom keep making content around Miguel! Because when we write fanfictions, draw fanarts of him... we are now picturing him with a real female gaze and that's what brings even more complexity and depth to this character.

I have seen so many interpretations of this character since I joined this fandom and a lot of them were really cool/ beautiful, showing just how much people love this character. When you think about it, it's crazy that a character who only got 15 minutes of screen time can have such a strong effect on a fandom, meaning that he is more than just a thirst trap. I genuinely think that the content created by the fans gives this character his humanity back (because, yes, being sexualized to no end deshumanizes a person. Go argue with a wall, thank you very much). I've seen so many tender, soft but also funny depictions of him making him more than just some ass shots on the big screen. And even on the NSFW corner of the fandom, some people out there are really making him more than just this "feral beast" that we have been sold by giving him back his tenderness, his sensuality...

So, yeah, take this headline with care and think what you want of it. Those were just my thoughts. Feel free to disagree, tell me if I got something wrong or just leave your thoughts under this post because I'm genuinely curious of seeing other fan's opinions. I apologize for the mess of this take.

And now I'm going back to sleep.

[aotopmha]

One thing that really hasn't changed about the Sonic fandom in the years I've been away from it is the very specific obsession with the most miniscule details.

It used to be the green eyes, now it's Amy being slightly less of a token obsessive love interest or there being a sniff of a continuity/references to previous games in the story.

(I mean, it also used to be voice acting and model wars, and those are actually still alive, so the more things change, the more things also stay the same.)

But that's literally all Amy was by Sonic 06, down to one of her abilities being able to turn invisible to stalk Sonic better and it's so crazy to me how people actually defend that as "having more personality" these days when all Frontiers and Generations did was tone it down just a little bit (which is actually in line with her arc in the original Sonic Adventure).

I think Heroes might've actually been the worst of it, but I think Amy definitely deserves to have more to her character than just her crush on Sonic.

The only bit of that criticism I think is understandable here is her "losing her spunky attitude", but I don't see it with the minor changes with her in Generations in particular. And Frontiers is kind of a more somber story to begin with.

These small changes are always framed as this egregious misstep when it's really something like the character having a mildly less extreme reaction or a reference to a different relevant element to what people want.

The Time Stones are pretty relevent to bring up in a game about time travel considering getting all of them was what lead to the bad/good future at the end of CD, for example.

And Sonic and Tails vaguely alluding instead of referencing locations really doesn't make a difference to me. This is just basic continuity stuff every story does to me.

I think a few ended up strange, like the silly implications of how dialog worked out in that scene with Sonic and Knuckles, but it's just strange instead of deeply offensive to me.

And the outrage I've seen about these details is just so funny to me.

Especially since Generations itself is a nostalgia game to begin with and is the time to make references.

(All of this said, apparently the jp version is pretty much the same outside of some of the added Modern Sonic dialog, so ultimately it's inconsequential as far as true substance goes?

Generations has a really simple story to begin with, so these don't do much to ruin anything, either.

I do understand the game preservation aspect of these changes, though. They definitely should've kept the old cutscenes as a toggle or option to still look at; remasters should include the game in its original form for the sake of preservation.)

As far as criticism of that aspect goes, to bring a different example, I think I really liked the cutscene with Sonic in the Shadow portion of Generations because it clearly was in good fun with the characters taking a jab at each other about those events that happened, in other words, true continuity.

A bunch of moments in Frontiers really felt like stilted "remember this" moments, rather than just a story with these characters and I think this is what some truly take issue with, rather than "the references" themselves.

People just want a fully new story with these characters.

I think this is also why Shadow's portion has a more positive response. It's just continuing his story.

And in my case, actually retroactively somehow making me care about his character after Sonic Adventure 2.

I think the main thing is that I just did not buy any of the turns his story took after Adventure 2.

The clone stuff in Heroes was alright enough, but not enough for me to think he was fine to be brought back.

And Shadow (05) was just a mess with a character conclusion I found zero satisfaction in because just "forgetting" everything you clearly cared for is just as bad as obsessing over it.

Looking into the Shadow The Hedgehog game just to refresh my memory has been a wild journey because while the forced, immature elements are mostly the localisation as I've always known, the story still is the same mess otherwise.

And Shadow Generations somehow, miraculously put all of that insanity together into a simple, but heartfelt package that somehow didn't end up too tryhard and made sense emotionally.

You have to work through trauma to truly move on from it. You can't just say you move on and have it be the end of it, just not how it works in my eyes, unless you want the characters to feel completely alien, which I think Shadow is intended to be the complete opposite of.

I think the fact that Maria remembered stuff from her time on Earth is an issue for some people (and an apparent inconsistency with the animation), but I think there are advantages to both: if she doesn't remember/know anything about Earth, it's a big additional tragedy added to her character of never being able to see a world she grew to love through all she learned about it.

If she does remember good times on Earth, it, in turn, makes more sense why she would love it so much and want everyone on it to be happy. If she has seen the beauty of it and wishes to go back and never can, it is a tragedy all the same.

In my eyes, neither of these really take away or add to her character nor Shadow's because their bond exists regardless of whether she knew what Earth was like for herself or not.

This game actually also made me care about Maria as a character, in fact, I'd posit she became a character because even Shadow's own game didn't really go into what her illness felt like or what her general life was like on the ARK or how she felt about everyone around her.

But to loop back to my point of people liking it, it's just really nice to have a complete, substantial story again.

I don't need it, and I especially like my Sonic stories more cheesy and silly, but if you're going to do a serious story, do it this way.

Be straight to the point and sincere and add some silly elements to not go too far in the indulgently tedious hyper-drama direction.

Revisiting this crazy and wierd, but fun series has been a lot more fun than I ever thought it would be, even if I think this fandom is one I'll probably mostly keep my distance from.

All bigger ones have their issues, but the bad parts of the Sonic fandom are just not anything I even want remotely anything to do with or tolerate.

I'll watch some more of those massive video essays, though.

[chaos-and-sparkles]

All the outrage about "chai" as Pav's ship abbreviation was fucking stupid

Ok so. I may be late to this discourse but by gods am I going to put this out there anyway bc this shit has been FRUSTRATING me for a while okay.

USING 'CHAI' AS AN ABBREVIATION FOR PAVITR IN SHIP NAMES IS NOT FUCKING PROBLEMATIC OR STEROTYPING OR WHATEVER DUMB SHIT I'VE SEEN (mostly non-Indian)PEOPLE SCREAMING ABOUT OUT HERE ON MY DASH. GO TOUCH SOME GRASS, Y'ALL, FIND BETTER PROBLEMS IF YOU'RE SO PRESSED TO BE MAD ABT SOMETHING!!

I'm Indian and I am so so sick and tired of, from what I can tell, mostly white people getting mad about Pav's ship abbreviation being chai??

No no. Go on. Find me my fellow Indians spearheading the conversation about 'chai' being a problematic name. Show me where the droves of offended desis are. And I don't mean just a few Indians agreeing with the "chai is stereotypical" thing while non-Indians lead the conversation, I mean the Indians being the majority of the conversation. Since, you know, that's how it would and should be if it's actually such an offensive deal to Indians, right? We all have social media. It's not like we're waiting to be spoken for. Surely there should be at least as many, if not more, offended Indians about the chai thing as I've seen white people on here. I'll wait.

Obviously I don't speak for all Indian people, I'm just one person, but from what I've seen and what I can tell, there don't seem to be any actual Indian people getting offended or claiming his name being 'chai' is Bad and Evil and Offensive and Stereotyping?? All I see are non-Indian people getting so damn offended on our behalf???

I loved his ship name being chai. I loved the representation. I loved the desi tadka, I remember when I exited the theater after ATSV and scoured through my social media and saw "chaipunk" and "chaiflower" and everything with chai going around. I was so fucking elated to see an ethnic word being used in the tagosphere!! It made my Indian heart so happy to see an Indian character who is so so close to my heart be represented with an Indian cultural word.

But nooooooo apparently we can't have nice things, because people just had to white knight about it. Apparently it is harmful and stereotypical to be using chai as his ship name.

Clearly, we gotta change it to golden. Or something similarly English and white-sounding and you know, inoffensive.

So, because I want to nitpick all the arguments I've heard as to why using "chai" is bad, let's go point-by-point:

It's reductive, you're describing a character by just one thing - yes well noted, that's literally what ship names are for. They are shorthand for characters to remember them by, they're supposed to be memorable one-liners to go by for them. It doesn't "reduce their whole personality to one bit" or "define them" or whatever - by that logic, is Miles' entire personality "flower", or Hobie's entire personality "punk"?? Gwen's just a "ghost" then, huh?? The whole POINT of a ship abbreviation is to be short and memorable. And chai is a whole fucking lot more memorable than "golden" or "shine" or whatever - those alternatives aren't even based in canon?? They are just purely fanon interpretations. Meanwhile chai is actually based in canon and a really memorable line from it too. I've had friends who were so confused as to who the golden abbreviation is for and then asking me how it's related to Pav when they browsed through the tags, but whenever they heard "chaipunk" and stuff they got it without me having to explain shit. Also, y'all are reading the Indian reaction to the chai-tea thing very wrong if you think we are offended by chai being a memorable bit about him - we are literally the ones most hyped about the chai-tea thing? You have no idea how loud the Indian theaters cheered at that line and how many Indian-made edits have been circulating. Again, with the caveat that I speak for my experienced social circle and not every Indian to ever exist, WE LOVE THE CHAI THING. It is a really lovable and memorable bit to us - one that has endeared his character to so many of us so quickly! So I have no idea where the idea that we're offended by the chai-tea line being memorable came from, but y'all really need to go out and talk to some desis before speaking and getting mad for us.

It's stereotypical - Oh I'm so sorry, I didn't realize an Indian character named with an Indian ethnic word about an Indian cultural drink is stereotyping, now. Just say you felt called out by the chai tea bit or got tired of how much people were talking about it or didn't like having to learn and use an ethnic word and be done with it. Now, to be completely fair, this is the point in the argument that holds the most water. I have seen a lot of fanart and fanfic in the very early days of ATSV fan content, quite far down the tag at this point, that reduced Pav's entire personality to chai, just made him the tea guy, made him so chai obsessed it was quite OOC and annoying and yes it did feel pretty stereotypical. That kind of thing is extra obvious in some NSFW arts I've seen around, that really give me the ick because that is not necessary, that is actually just weird and smells a little like fetishizing. But long story short, yes, Pav's character did tend to be reduced to chai in the early fan content. But guess what. That kind of thing happens to every side character in beloved media until more creators get their hands on them, adopt them as their blorbos, and make more developed characters and content out of them!!! Every side character that has a memorable bit gets overused in that bit until more creators get on board to flesh them out! Or have we forgotten "AND PEGGY!", "Honor", "ONIONS!!" and other miscreants? Surely those are ALSO stereotyping then, right? Also. Even if Pav's early fan content with chai was veering towards overuse and maybe stereotyping. Let's assume that's right. HOW EXACTLY WOULD THE SHIP NAME CHANGE THAT, THEN? The ship name changing wouldn't have done diddly squat about that - he was already getting more developed character in fics and in art before people pushed for his ship name to be changed to something less ethnic sounding. I should know, I was one of the people writing him even then. The tag changing wasn't going to magically change the content. The fan creators did that.

It's unrelated to him, it's stereotypical specifically in that flavour - bitch what. Did we watch the same movie. This point in particular frustrates me so much, because I remember someone on here - I don't remember who - talking about how it makes sense to use "flower" for Miles because his favourite song is Sunflower but in that same sentence saying it's ridiculous to use "chai" for Pav. What logical hoops are you jumping to get to this conclusion, my sibling of the sea? If we can use "flower" for Miles - which was literally a song he sang once, maybe twice, in the first movie, never even saying it was his favourite but just showing us he liked it - then it makes just as much sense to use "chai" for Pavitr? Pav literally says he drinks chai every day with Maya Aunty, it's linked to his life and family, and he clearly liked and thought of it as important enough to put it in his intro speech. Also, as an Indian, in my experience at least chai is a very important and yet casual cultural thing for us, that a lot of us have a connection to in our everyday lives and it makes sense for him to have it too. It's not like people are just seeing the Indian character and automatically labelling him with chai - he talks about it, he likes chai, it's not out of nowhere. Also, if we're talking about how related the abbreviation is, HOW is "golden" related??? That is even more out of nowhere??? Everyone I've asked seems to have a different justification of why golden is used. From bc he's a golden boy to golden bc of his bangles or vibes - they're all speculative and based almost entirely in fanon. Like. Chai is so much more related.

Also. Using chai? IT'S NOT A BIG FUCKING DEAL. It's just a word. It is normal to me, to us Indians, as normal as using any other word in English, or Hindi, or our regional languages. I don't see why it's such a big deal that it needs to be changed to something English. It's literally just like if you made his abbreviation "tea" - except now you've taken the desiness out of it. Congratulations.

This isn't a cause I'm going to die mad about or anything. It's just been slowly annoying and eating away at me to see so many, again from what I can tell mostly non-Indian people, being mad about chai being his ship abbreviation. It feels like a bit of a gut punch to the part of me that was so happy to see this tiny part of myself and my language and culture represented in a character I love. As my friend once said, "chaipunk sounds like a cool punk movement I'd join. goldenpunk just sounds white."

The straw that finally broke the camel's back and got me posting about it is this realization that I had:

All the hue and cry to change Pavitr's ship name from "chai" to the more 'acceptable' "golden"? It reeks an awful lot of whitewashing.

People literally got so offended about an Indian character having an Indian ship abbrev that they clamoured till it got changed to something English. It leaves a very off taste in my mouth when I think about it like this.

So yeah.

[rescue-ram]

Why The Joker Is Wild Hits Different

I was thinking about this last month when I wrote 'The Time Has Come For Us To Say Sayonara', and I'm feeling motivated to write up my thoughts tonight. I'm going to list my reasons why this episode in particular rubs people the wrong way roughly in order of importance.

1) Timing This is the most obvious reason but it bears mentioning. Because yeah, the episode where Hawkeye's friends team up to drive him crazy in the same season that ends with Hawkeye having a serious Mental Health Crisis definitely changes the impression this episode leaves, especially in rewatches. I've seen theories that it was intentional foreshadowing, as well as that it was meant to be a lighthearted throwback episode that's just squiffy in execution; both seem plausible. But regardless, I think the timing increases negative feelings towards this episode among people for whom it doesn't land.

2) The Pranks Are Lame This might seem petty or subjective, but the more I thought about it the more important it seemed. Because MASH has a lot of pranks, and the ones people remember and like the most are the most outrageous ones- there are a lot of creative set ups, and some opportunities for great prop or physical comedy. But the pranks in TJIW all happen off screen, for punchline reasons, and with the possible exception of Klinger blowing himself up are all very tame and unremarkable. The "victims" reactions are not particularly hilarious either. This means there's little entertainment value in the pranks themselves, so all of the focus stays on Hawkeye's reactions, and his reactions are "increasingly irrational intense distress" which obviously some people will find very difficult or upsetting to watch.

3) No Back And Forth Other "prank war" episodes are just that- a war. There's retaliation and escalation and often a final twist to the conflict that keeps the action moving. Hawkeye never gets to retaliate or take the upper hand until the very very end of the episode- he's not even really fighting for it. He's consistently put in a reactive and vulnerable position throughout the episode, so it feels targeted in a way that's usually reserved for characters we're meant to dislike and not empathize with- but Hawkeye is our charismatic protagonist, we're constantly invited to empathize with him! So seeing him get picked on and not fight back kind of sucks for a lot of people, especially if, in putting yourself in his shoes, you would find this an insanely upsetting scenario to find yourself in.

4) No A-Plot Other "prank war" episodes are usually paired with a much more serious dramatic story line. Even "April Fools", one of the silliest, has the characters seriously thinking they're all about to be court-martialed. "An Eye for a Tooth" has Mulcahy fighting for a promotion, "Bottoms Up" has Margaret reckoning with her friend's alcoholism- even "The Smell of Music", which has one of the meanest things they do to Charles, has an A-Plot where Potter tries to help a suicidal soldier. The pranks are a welcome break in tension, and the more serious subject matter means they don't get as closely analyzed by the audience- they are straight up comedic relief. But in TJIW, there is no other plot- our focus stays, relentlessly, on Hawkeye losing it. There's no break from the tension, and as already established the weak pranks mean they don't provide that release in themselves. It is very easy to get stuck stewing in Hawkeye's distress.

5) Bad Casus Belli I really think, if Hawkeye had been the one to issue the bet- "Yeah, I said your prank was stupid and I'll say it again, Trap and I coulda pranked all of you in 24 hours or less and you'd've never seen it coming"- that A LOT of this episode's problems would decrease. His come-uppance would at least feel earned- Hawkeye has hubris, gets punished, punchline. But that isn't what happens!! BJ is exhausted and in a bad mood. He takes it out on Hawkeye in a petty destructive prank. Hawkeye is annoyed, and BJ gets mad at him for being annoyed, and then cold bloodedly manipulates him into a bet he fully intends to cheat, in order to punish him for... not finding having his boot ruined funny? For talking about Trapper? There's no explanation given for why the other characters go along with it, especially a character like Mulcahy who not only participates, but is gleeful about it to an extent that's kinda OOC. Hawkeye's punishment feels more like the sort of thing dealt out to Frank, who we expected to deserve it because he was so consistently awful. Why does Hawkeye, our loveable hardworking part-time prankster full-time doctor, deserve to get humiliated? It's charitable to say it's a lack of inciting incident causing problems- to be uncharitable, we'd have to say the inciting incident is BJ taking out his temper on Hawkeye in an honestly pretty cruel way. I say cruel especially given his reaction to seeing Hawkeye lose it in the ward was to make it worse by deliberately feeding Hawkeye's paranoia after Klinger's prank. If you are not a fan which finds BJ's fits of "evil genius" funny in themselves then yeah, the unearned targeting feels infuriating.

[inkblackorchid]

I know the 4kids dub is terrible, but what do you think of each main cast English voices in general do you think they fit for who they are?

Just for you, I went back and got a quick refresher on the English voices, because it has actually been so long since I saw any significant portion of the dub that I genuinely forgot how some of them sounded. For reasons of the dub episode listing being a mess due to cut episodes, meaning that I have no idea where to reliably hear which character talk and thus had to pick a couple episodes at random, I'll just go over the signers if that's okay.

So, first off, Yusei. Honestly, purely from a voice acting standpoint, I think Greg Abbey is perfectly fine. The fact that his dub Yusei voice is one of the voices that stuck with me is a testament to that fact, I think. I'm not too hot on how they changed Yusei's personality in the dub, but that's on the writing, not on Greg's performance. And for what it's worth, I think he does a decent, more sarcastic Yusei. That said, in emotional scenes, I do think he lacks some of the oomph that I adore Yuya Miyashita for in the sub. That guy has a pair of lungs on him, whew. But Greg gets a solid 8/10 from me.

Then, we have Jack. Jack, to me, has arguably the best dub voice. Not only does the over-the-top accent Ted Lewis does make him sound suitably arrogant and haughty, there's also a really cool headcanon I've seen floating around again recently that I think goes perfectly with it—namely, that Jack has a Cockney accent (commonly regarded as a lower-class British accent) which he picked up because he wanted to sound posh, whilst not realising that what he's speaking still outs him as a former lower-class citizen. (If somebody could point me to the op of that headcanon again I'd be grateful, tumblr search is being as useless as ever.) The only criticism I could offer is that I do think Takanori Hoshino's even deeper voice in the sub fits Jack just a smidgen better than Ted's. But for these two, honestly both work for me. 10/10 for the posh accent, cheers.

Next up, Aki. I don't necessarily think Erica Schroeder does a terrible Aki voice, but tbh, between her and Ayumi Kinoshita, I prefer the latter by far. It's mostly because of the vocal range, though, which in fact recently came up with a tumblr mutual of mine. Ayumi simply manages to reach deeper registers, which works especially well towards the first half of the show, when Aki's still occasionally making threats as the Black Rose Witch. Erica's performance by comparison isn't terrible, but it's on the whole a little more higher-pitched and soft, almost, whereas I feel like Ayumi gives Aki more depth with her performance, because especially during the Fortune Cup and Dark Signers arc, Aki isn't just the girly female lead, so it fits that she wouldn't sound like it, either. Also, I feel like it was a bit of a missed opportunity that they didn't give her a slightly more posh accent in the dub, too, given that she comes from a very well-off family. So 4/10 for Erica.

As for Crow. With him, I have the opposite problem. The performances Clay Adams and Tom Wayland give are fine character-wise, but their voices honestly sound a little too deep to fit the character well for me. Shintaro Asanuma, by comparison, sometimes breaks out into these higher-pitched squawks in moments of outrage, which I think fit Crow perfectly. It also contrasts his voice better with those of Yusei and Jack. That said, I find it funny how all three of them seemed to share the idea that Crow would have a slightly scratchy voice, as befits his namesake. Also somewhere around 4, maybe 5/10.

Then we've got Ruka/Luna. She's probably the one I have the weakest opinion about. Cassandra Morris and Eileen Stevens both do a decent job with her, though I have to admit I have a bit of a weakness for the specific softness Yuka Terasaki gives her in the sub. But both (or rather, all three) work decently here, I think. 7/10, not bad, not stand-out.

And finally, Rua/Leo. I'll admit, I don't like the performances Morris and Stevens give here (again) nearly as much as Ai Horanai's Rua. I think it's because Horanai's Rua sounds like a much more believable, excited young boy to me. She captures his exuberance and occasional embarrassment in a way that feels less performative than the two English VAs do to me. That said, Leo's personality still tracks perfectly, so 6/10 for the English VAs.

(Let me tell you one thing, though: It was weird hearing the dub voices again after I've stuck to sub watching for so long now. Both in a good way (they're so funny) and a bad way (Crow, are you hoarse?).)

[n0-1r]

i have a love hate relationship with the young justice show

on one hand it's a great introduction into dc with (mostly) fun and (kinda) likable characters

I've already made a post about how this show is not really beginner friendly but anyways, on the other hand the plot doesn't really let you enjoy the main cast as a whole and instead has 50 different plotlines at the same time and even veers off the main characters in the third season.

wait let me list my gripes with this show

1. mischaracterisation or a lack of characterisation

yj is infamous for not caring at all for it's main cast in the most recent seasons, all while tripling and even quadrupling the size of the cast. Of course there's bound to be some mischaracterisation but when the main cast is a mismash of various teen heroes from various eras of dc their character arcs get completely thrown off and even rewritten to be such unlikeable people (cough cough super boy cough cough miss martian) i mean how are you going to make a show and have your main characters be completely unlikable and even hated by the fandom.

2. lack of focus on the main cast

ooough young justice season 3 oooooh 👻

such an infamous season. i guess the character arcs of all our main characters being completed makes it slightly more okay but having this season focus on two more completely new casts of characters, one of which is very hated by the community, and having them go through two very different storylines, well the plot is vaguely the same but the character arcs are so different. And if that wasn't enough season two is a mess of yj throwing a band of characters at you and expecting you to immediately know who these people are, which leads me to my next point but first,

I must confess, i watched this show for two particular duos (cough cough birdflash cough cough timkon) well you know how well both of those went so im probably just salty about that.

3. the timeskips.

5 YEARS. 5 WHOLE YEARS BETWEEN SEASON 1 AND 2

oh my goodness so much happens in those 5 years, people are introduced, people leave and people DIE and so, so many plot holes that are just summed up to 'eh something must have happened off screen'

don't even get me started on that mess of a game that was supposed to patch the gap between these two seasons (ok i haven't actually played but have you seen those reviews, i must just read the fandom wiki)

another one of young justice's most 'iconic' features is it's perfectly linear storyline and continuous progression with absolutely no outrageous timeskips. we have characters popping out of nowhere i mean who the hell is spoiler- WHAT DO YOU MEAN THIRD ROBIN oh and miss martian changing her appearance every season, honestly i think shes getting uglier and i didn't even know that was possible (ok i guess she looks fine in the last season)

so you see, i dont really need to explain how bad the timeskips in this show are.

ok wait this has been just a post of me shitting on young justice uhhh guysss yj is sooo good you should totallyyyy watch

ok wait if you're just getting into dc young justice is a good watch but take the characterisation with a grain of salt okay, please trust me when superboy and miss martian are not like that. and kal is great but garth was actually the first aqualad and i hate to break it to you but artemis does not exist and spitfire is not real

so moral of the story, watch teen titans instead 🔥🔥🔥

[lexcellence]

What is it about Western comics as a medium that enables them to tell specific stories--or be types of art--that other media can't replicate? It feels like it'd be so easy to translate a comic to a film, but we've also seen how outrageously difficult it really is. What, to you, makes comics so worth it all?

This is gonna be long and hella cynical, and I'm going to specifically focus on the big two (Marvel and DC) here, but I think a big part of it comes down to money, and the fact that comics are largely considered to be disposable media by the companies creating them.

See, there isn't a ton invested into the actual creation of comics. Creators are freelancers, so no need to worry about pesky things like "paying a reasonable wage," or "offering health insurance" — every few months or so you'll see people who shaped and revolutionized the medium setting up gofundme's because they never got a safety net, and they aren't taken care of by the companies they put all that work into. IP rights and royalties largely aren't a thing, and the nature of capeshit is that you're always going to find some fan who is honored to have the opportunity to write for them, even as the creators they grew up reading are torn up and spit back out. Couple that with an inherently built in marketbase of nerds, and, more often than not, not "wasting" money advertising actual comics to anyone who doesn't buy them already, and to a large extent it doesn't really matter what risks a comic takes. Warner and Disney don't really have to give a shit —a "bad" superman comic, by any definition of bad, might piss off a few nerds, but isn't gonna do a damn thing to the cultural perception of Superman™️, the Brand™️, available on everything from t-shirts to truck nutz at your local Walmart. And hell, 99 times out of 100 the nerds will keep buying the book anyway, and who cares if they don't, because the comic shops will.

Movies, on the other hand, are a pretty significant investment! You've got actors, hundreds of people in cast and crew, and *actual marketing.* They've gotta make that money back and then some, while appealing to an audience of people who might own a Batman wallet, but couldn't tell you the difference between Joe Chill and Victor Fries. It's harder to take risks with movies, because suddenly you might actually taint the image of a seventy year old brand, and that terrifies all of the investors. You throw too much Comic Book Bullshit™️ at general audiences who haven't already devoted their personalities to caring about who Batman is fucking that week (Hal Jordan), and it gets messy. This isn't even some "general audiences wouldn't understand*" gatekeepy shit, either - if you pick up literally any random comic issue and you don't like it, worst case scenario you've spent like four bucks and fifteen minutes of your life, and you've got anything from dozens to thousands of other issues to try.

*that being said, I still maintain that Batman & Robin is better than any Batman comic that came out that year, and everyone who says otherwise is a fucking coward.

And so, comics end up in a weird, probably ultimately untenable position of being able to take more risks, and being made largely by people who love comics, and grew up speaking their bullshit language. They're self-obsessed and masturbatory, sure, but the thing about saying that derogatorily is that it ignores the fact that masturbation is fun? The worst comics I've read, and I've read a lot of bad comics, are still almost always labors of love, be that for better or for worse. As exhausted as I get sometimes, it's hard for me to write that off entirely.

And, ultimately, I'm just way too invested in who's fucking Batman (Superman).

[https-cyber-slxt]

Holy shit! Your blog is an oasis in a desert istg. Finally some proper unadulterated femdom content on this hellsite. Thank you so much!

If your requests are still open, can I please get some sub!Dante content? General headcanons or just a little pegging for my bbg :) Up to you. And thanks again <3

P. S.: A word of advice: try to avoid more explicit tags, like sub!character or dom!reader, and use something more general like character x reader. I've noticed that Tumblr algorithm doesn't take into account actual contents of the post and shadow bans based on tags. I've seen some really outrageous stuff fly under the radar, because it only had fandom tags and nothing specific. Hope this'll help at least a little bit. You don't deserve to deal with this bs. Wish you the best!

hiiiii anon, I really appreciate these kind words, here just for you.

Oh and I'll absolutely give you your “daily” dose of pegging Dante :P

Devils Do Cry!

Sub!Dante x FemDom!Reader

A/N: I am so unmotivated (also it's 10 pm and I'm tired as shit, so if this is bad, I'm sorry)

“So... Who's Elizabeth?” you question out of nowhere as you pull your sword out of the Hell Caina's chest, causing it to wither away. Dante becomes stunned at the question, raising a brow at you. “Just another Devil Hunter, why?”

He swallows thickly at your serious expression. You prop your glasses up and wipe the blood off of your weapon. “A little birdie told me that you went on a *date* with her last night” Dante whimpers and furrows his brows before propping himself up properly. “Oh yeah? Well maybe that little birdie was trying to make you jealous” your face becomes even more serious. “Why would Nero wish to make me jealous?”

Dante stops in his tracks and nearly bursts into a sprint, damn you little nephew! “I uh- uhm-” his sentence cuts off as you grab his collar and shove him against a wall. “Don't lie to me Dante! What were you doing last night!?” He sobs as he licks his dry lips. “I'm sorry (Name), but I promise I didn't do anything, I just- walked her back home, that's all, and Nero must've thought something else“

You drop Dante and turn away, walking back to his office space with him not far behind you.

☆~ 5:30 PM ~☆

You lie on your stomach as you flip through the pages of the magazine, munching on the cheese pizza while doing so. Your fingers rest at the bottom of the page while your eyes fixate on the pictures, making you unaware of your surroundings. Your reading becomes interrupted as the doors slam shut, making you look up at Dante. “Jeez those two are a pain in the ass” he sighs while stretching.

“If they're so annoying, why are you friends with them?” you ask while flipping to the next page, placing your hand under your chin. “Well you know, it's nice to have some company in this shithole” He answers while walking up the stairs. You scoff and lift yourself off the couch. “Hey! Which drawer do the magazines go into?” you shout while fiddling with the book in your hands. “My desk drawer!” oh wow real helpful.

You roll your eyes and walk behind the desk, opening up the top drawer, nope, the middle one, nu-uh, the bottom one perhaps? Your hand grabs the handle and just as you're done opening it halfway, you slam it closed and grip the magazine in your hands even tighter.

A few moments later Dante rushes down the stairs, oblivious to your shocked expression. “Hey babe so, Morrison will be here in a few and- are you okay-” his sentence cut off as he stares at your grip on the bottom drawer handle.

You both stand there in complete silence, until you stand up and purse your lips, dropping the magazine on to his desk. “So how long have you had those?” you ask while side eyeing him. Dante stands there in complete shock. He lifts his hands up and defence, trying to think of an excuse. “How. Long. Have. You. Had. Those?” Now your entire body was facing him. “A-awhile it's that, I've been hesitant on asking you..”

NSFW Below The Cut X3

A bright blush covers his face as he answers your question. “Bend over the desk” you command while opening the drawer with your heels. “But Morrison-!” his sentence interrupted as he's pushed against the desk. “I don't care about Morrison, if walks in here that'll be his own problem. Now, bend over the desk, and take off your pants while you're at it”

A sob leaves Dante as he follows your command, taking off his pants and boxers while bending himself over his work desk, spreading his legs open and resting his chin on his forearms.

Meanwhile with you, you pull the strap-on out of the drawer, and you're not gonna lie when you say it's packing a decent size, 8-9 inches at least and relatively girthy as well. You notice the ring gag in the drawer and pull it out, it'll be of good use. You set the strap aside and lift the gag right in front of Dante's face. He gasps and looks back at you, you smile and giggle. “You know what to do” were the only words you said before he sighed. Shoving the gag into his mouth, you grab the straps and adjust it to your liking.

You reach back down and grab the lube out of the drawer. You grab Dante's hand and squeeze the lube on to his fingers. He looks back at you with confusion and you just smile at him. “I can't just shove this entire thing into you without any preparation, go on, open yourself for me” you continue smiling as he lets out a soft whimper.

Using his free hand, Dante spreads his ass open, allowing his fingers to slip in easier. He slowly inserts his middle finger in, soft gasps escaping him as he inserts another finger. He goes knuckles deep, making him arch his back, his free hand quivering and struggling to hold himself open.

His upper body basically falls limp as he starts to finger himself, getting lost in pleasure and completely forgetting about your presence. You grin and grab his wrist, giving him a fright in the process. You pull his fingers out and grab the strap-on from his side.

You tie the harness around your hips and grab the lube, carelessly squeezing some on to the strap, causing a little bit to fall on the floor beneath you. You stroke up and down, smearing the lube all over.

You slowly insert your strap into him, heavy moans escaping him as he grips the front of the desk. “Ah! nghhhh~!” drool slips down his chin as his eyes begin rolling back. You insert the entirety of the strap in him, the harness touching the skin of his ass.

You readjust yourself and lie on top of Dante's back, wrapping your arms around his shoulders. You short thrusts cause sobs to escape Dante as tears begin to fall from his eyes, leaking onto the desk below him. Your nimble fingers remove themselves from his neck and creep down towards his dick. Your free hand wraps around his leaking cock, pumping up and down gently.

Your other arm wraps around Dante into a chokehold, making his hands move from the desk to the arm around his neck. Letting go of his dick, you untie the gag move your hand back to its original position, pumping faster than before. “Shit! You're killing me! Just fuck me already! I need it, please!” Dante's tears roll down on to your arm along with his drool.

You unwrap your arm around his throat, causing him to drop on to the desk. You grab his arms and lock them behind his back, speeding up your pace in the progress. Dante cries and moans, not caring of someone or something hears him. “God fuuuck~! Yesyes! Oh you make me feel so- so good! Ah! Ah~! Nggggh!”

Your hand lets go of his arms, but like the loyal slut he his, he keeps them there as you grab his hair, lifting his head up and biting his neck. “Yes!! Oh fuck yes! Faster, faster! Fuckmefuckme!” Dante moves his hands to his dick as both your hands grip his hair and jacket collar. “I'm g-gonna cum! Pleaseplease! Let me cum! AH!” his begs and pleas turn into a nonsense of sobs as you rake your fingers through his messy and sweaty hair. “Cum for me” you whisper in his ear.

Dante sobs and cries as he releases all over the floor, some even getting on his desk. Quite sobs escape him as his left over tears form a small puddle beneath him.

Just as you lift yourself up, Morrison busts through the door, an unpleasant look on his face. “Considering that you two have stopped fucking like two rabbits in heat, just take this before my day is even more ruined” Morrison hands you a letter, not saying another word and slamming the building doors closed, his car revving up and leaving the area just as quickly.

You set the letter aside and stare at the fucked out Dante beneath you. “What to do with you...”

[boss-poss]

My take on the whole HD2 psn account scandal is that it sucks and it should have been expected but I really want to highlight just how far under the bus sony is throwing the devs with this:

-Announcement came out yesterday, meaning that the brunt of the (assuredly) expected blowback occurs over a weekend when most of the players don't have anything better to do and the news has reached most of them. Arrowhead takes the heat and eventually anger simmers down when monday rolls around and people get back to work and such. No skin off sony's back.

-Arrowhead community managers are already known to be blunt and dismissive compared to other games making them, and arrowhead by extension, seem the easy target as they deal with complaints. AH says they're already chasing sony about related issues but the chance of the big S giving anything more than an empty promise (if even that) is remote.

-HD2 has a large community, and as with any game playerbase, it's filled with reactionary idiots and trolls. The principle of the thing (giving sony your leash), not to mention the hassle or regional issues that could come with creating a psn account, is enough to whip people into a frenzy. There was no way this was expected to go over well.

-The requirement for a psn account was always noted but was waived for a couple of months, more than enough time for people to get invested and buy premium currency, not to mention the game becoming a landmark title among a sea of trash. That's more than enough time to forget a stipulation like that. Can't have people refunding to show their displeasure!

-A warbond was announced right before the psn mandate so whether that was to try and cushion the blow or just unfortunate timing or a mandate from higher up it makes AH look like they prioritize selling you stuff over player enjoyment, adding fuel to the fire.

-A lack of polish in certain areas of the game and rampant balance issues that cause players and the devs to butt heads have been ongoing issues since launch. Clearly, AH is having a time keeping their vision and player enjoyment balanced which has already created a fairly deep divide. The psn requirement is pretty much taking a hammer to a widening crack and will (whether intentionally or not) bring more heat towards the developers.

-PSN is famously bad at security and ultimately pointless off of their consoles, with numerous huge data breaches and accounts offering little more to players than a way for you to give your information so sony can sell it. That seems to me to be the main motive here, alongside cementing the notion of HD2 as a playstation exclusive (sorry xbox players but I don't think you'll be getting this game anytime soon). A live service game that isn't squeezing every last penny out of its players at every opportunity is ultimately financially inefficient and I'm sure some sony people are kept up at night by that fact.

-The biggest fuck you I've seen though is that the game is sold on steam in countries sony doesn't support, meaning that you could have bought and played the game already and then now be barred from playing it a few months later (can't have those pesky, preemptive refunds). Also, VPNs are against sony terms of service, so yeah... any burner accounts could get you banned and be a huge hassle.

I can't conclusively say that sony set up arrowhead as the patsy while they try to collect all that sweet, succulent, valuable, personal data but I don't believe this was an accident either. Corporations are far from stupid and fortunately for them and unfortunately for consumers, a significant portion of us are pretty easy to lead by the nose to certain conclusions. They know this and many facets of business work along those lines. Outrage is profitable and brings attention, if you're not the one in the direct line of fire.

I feel bad for the devs and I doubt much will come of this besides a temporary drop in players and maybe some sort of optional linking concession if things get dire enough, but I doubt the game will fail. Arrowhead aren't the devil but they did sign on his dotted line and sometimes the cost of success is getting told you'll bending over and taking it for someone else. Seems to be the case here to me at least.